Accept the cookies and flush them out every time you close the browser. I think it would be naive anyway to assume that clicking no on a cookie banner would achieve much for your privacy.
So-called "cookie banners" usually ask for your consent to much more than optional tracking cookies. By accepting you might be giving your permission to e.g. track you through various fingerprinting methods, build a profile and share it with advertising partners.
If they are aggressive enough to do fingerprinting, what makes you think they would abide to your choice? You do browser fingerprinting when you want to overcome people rejecting cookies.
Because in some legal systems you're required to ask. You're also required to follow fairly specific rules relates to the user's selection and data, though I can't imagine enforcement keeps up with websites breaking those laws.
How so? The law doesn't require cookie banners.
However, you could argue that tracking/advertisement cookies should have been banned completely and that the law is flawed in that it allows for tracking given user "consent".
The GDPR is theater. An effective privacy law would have prevented data collection in the first place. Data collected will be abused, and a cute little banner won't change this.
The original notepad was completely broken in the first place anyway. Can't handle large files, ctr+Z would cancel a large random number of previous actions, the search feature is case sensitive and barely useful, etc. What do you miss vs a Notepad++?
I absolutely need a pure SDI workflow. I like browsing through files on disk by the double-clicking them, reading through them a bit, and then using Alt+F4. I tried that with Notepad++ once and I ended up with hundreds of files open in tabs because Notepad++ remembers everything you've ever opened even if you Alt+F4 the app.
I also like sometimes having multiple files open at once and drag the windows around my monitors as I need to and you can't do that in Notepad++.
Also Notepad++'s UI is bloated. There's just too much going on.
And please don't suggest I muck around in settings, I'm not interested in spending hours mucking around in a gigantic bloated settings dialog, I want something that Just Works™ with no configuration just like Win95 Notepad.
Edit: My specific use case here is for viewing files, not editing them. I use a different editor when I'm actually writing stuff but for browsing I just want old Notepad.
> You avoid the irony of driving your dirty car 50 meters just to wash it.
The LLM has very much mixed its signals -- there's nothing at all ironic about that. There are cases where it's ironic to drive a car 50 meters just to do X but that definitely isn't one of them. I asked Claude for examples; it struggled with it but eventually came up with "The irony of driving your car 50 meters just to attend a 'walkable neighborhoods' advocacy meeting."
> it understands you intend to wash the car you drive but still suggests not bringing it.
Doesn't it actually show it doesn't understand anything? It doesn't understand what a car is. It doesn't understand what a car wash is. Fundamentally, it's just parsing text cleverly.
By default for this kind of short question it will probably just route to mini, or at least zero thinking. For free users they'll have tuned their "routing" so that it only adds thinking for a very small % of queries, to save money. If any at all.
Because they have too many free users that will always remain on the free plan, as they are the "default" LLM for people who don't care much, and that is a enormous cost. Also the capabilities of their paid tiers are well known to enough people that they can rely on word of mouth and don't need to demo to customers-to-be
Right, but that form of Gemini is also not the top Gemini model with high thinking budget that you would get to use with a subscription, the response is probably generate with Gemini Flash and low thinking.
Through hype. I am really into this new LLM stuff but the companies around this tech suck. Their current strategy is essentially media blitz, reminds me of the advertising of coca cola rather than a Apple IIe.
> I think this shows that LLMs do NOT 'understand' anything.
It shows these LLMs don't understand what's necessary for washing your car. But I don't see how that generalizes to "LLMs do NOT 'understand' anything".
What's your reasoning, there? Why does this show that LLMs don't understand anything at all?
If it answers this out-of-distribution question correctly -- which the other major models do -- what else should we conclude, other than that a meaningful form of "understanding" is being exhibited?
Do we need a new dictionary word that acts as a synonym for "understanding" specifically for non-human actors? I don't see why, personally, but I guess a case could be made.
You may be tempted to conclude that. Then you find something else to ask that leads to an answer obviously nonsensical to a human being, or it hallucinates something, and you realise that, in fact, that's not the case.
IMHO 'understanding' in the usual human sense requires thinking and however good and fast improving LLMs are I don't think anyone would suggest that any of them has become sentient yet. They can infer things based on their training data set better and better but do not 'understand' anmything.
This is a deep and complex topic, and has been for decades.
Gemini 3 Flash answers tongue-in-cheek with a table of pro & cons where one of the cons of walking is that you are at the car wash but your car is still at your home and recommends to drive it if I don't have an "extremely long brush" or don't want to push it to the car wash. Kinda funny.
Let the market do. If good data is so critical to the success of AI, AI companies will pay for it. I don't know how someone can still entertain the idea that a bureaucrat, or worse, a politician, is remotely competent at designing an efficient economy.
All the world's data was critical to the success of AI. They stole it and fought the system to pay nothing. Then settled it for peanuts because the original creators are weak to negotiate. It already happened.
No they won't pay for it, unless they believe it's in their best interests. If they believe they can free-ride and get good data without having to pay for it, why would they lay down a dollar?
Or, they'll just create more technically sophisticated workarounds to get what they want while avoiding a bad precedent that might cost them more money in the long run. Millions for defense, not one cent for tribute.
Now apply the same logic to laws, except that laws are a lot slower to change when they find the next workaround.
And it's a lot harder to get the law to stop doing something once it proves to cause significant collateral damage, or just cumulative incremental collateral damage while having negligible effectiveness.
For the academy awards, to its defense, it was competing against Pulp Fiction, Forrest Gump, Four Weddings and a Funeral, or the Madness of King George. I can barely name one good movie a year these days, and certainly none that makes it to the oscars. The contrast with the 90s is brutal.
> can barely name one good movie a year these days
Not really.
Of the recent movies, Everything Everywhere All at Once is a storytelling masterpiece. Since you mentioned it, I personally rate it alongside Tarantino's Pulp Fiction.
Everything Everywhere All at Once was the last time I sat in a theater where, for the first half at least, I thought I was watching an instant classic.
But that movie just dragged on, and now I look back and see it as a bungled opportunity. It could've been so much tighter in the edit. They could've cut a third of the movie and made the whole thing so much better.
This has generally been my experience with most highly acclaimed movies over the past 10 years. Most recently had this w/ Marty Supreme... last year had this w/ The Brutalist and The Substance.
The first half has me thinking instant classic, my hope is sky high. But then toward the end I find myself looking at my watch and realize it's simply not going to the stick the landing.
OTOH, many acclaimed streaming series have generally done this well. My take is that as long-form storytelling has evolved, movies have transitioned into this post-modernist phase as directors/writers don't feel they have the runway to tell something truly cohesive that doesn't end up being trite. It's much more about saying 'something' or imbuing a feeling than telling a fully fleshed 3 act story.
This was a good movie, but what was it up against. Were there 4 or 5 other movies of comparable goodness that any of could have won the oscar? So 'can barely name one good movie' is apt here. There are some, but way fewer and farther between.
Everything Everywhere... is a much better movie than the incredible Pulp Fiction. Some of the visual effects are actually psychedelic (I've "seent" them), and the storytelling is exceptional.
The scene where the antagonist is walking down a hallway while the background keeps changing — is among the best fight scenes / visuals in any film, ever.
I think you're going to see more and more people saying things like that as the audience gets younger and more people see the antecedents of Pulp Fiction before they see Pulp Fiction itself. There wouldn't be an EEAaO without Pulp Fiction.
Even setting its influence aside, Pulp Fiction is the better movie.
I wouldn't even rate pulp fiction highly on Tarantino's filmography. I tried watching it recently and found it to be incredibly pretentious and overwritten.
It's quintessential-Tarantino, but I don't ever recommend it anymore (start with Django or Reservoir Dogs). Decades ago I shared this movie with college friends — mostly because we enjoyed decadence.
If you've not seen Pulp Fiction by 2026 [0], how can I safely recommend you submit yourself to hours of semi-disconnected robberies, rapes, and deceit? It's a great movie, EEAaO is just better storytelling.
[0] similarly, how does one recommend the acclaimed Deliverance without blushing?
Django has low re-watchability (unlike most of Tarantino's work) but incredible acting/twists/cinematography.
Once Upon a Time is too much for me (bottom-tier Tarantino IMHO), but it does have many great actors/scenes (the overall storyline/premise is what I didn't care for).
Haven't seen Deathproof, but Basterds is wonderful storytelling.
Yeah I think Basterds is probably the most undeniably great, even if it's not my favourite. He even calls his shot with the last spoken line being “i think this might be my masterpiece”.
Probably my favourite thing about cinema is how slippery the subjective experience is.
For example I can appreciate a movie I don't really enjoy in a way I can't with music. Also on a rewatch a movie can go from hated to loved, or vice versa, in a way that feels unique to the medium.
>Yeah I think Basterds is probably the most undeniably great [Tarantino film], even if it's not my favourite.
Well-said.
>...on a rewatch [it] can go from hated to loved
I typically don't rewatch movies for at least five years — this is enough time for life experiences to change media interpretations. Yet I listen to the same tracklist of catchy MP3 earworms, on repeat.
Songs are motivational background energy (for me), and skipping a track isn't nearly as hard as bailing out of two hours invested in a cozy full-length film.
I thought it did an extremely good job of conjuring a particular place/time, and I find the Nosferatu backstory of being Temu Dracula sort of inherently entertaining.
Goodness no. It was such a drag! That movie became famous from the hype. I couldn’t finish it. I am really wary of famous + acclaimed films now. These days this combo almost always disappoints. Like Nolan films. I know he has a massive “fan base” now and anything he churns out will become crazy famous and an instant classic. Anything!
YMMV. I found Anora quite tiresome - all of the people depicted were awful and stupid, and the point that it made was so basic that it could have been made in 10 minutes flat. I'd call it "preachy" but that's overselling it.
Fair enough, not everyone needs to like the same things. In fact, I had a rather negative view on Shawshank Redemption, but it's been too long since I saw it that I barely remember why.
YMMV. I found EEAAO to be engaging but shambolic. It was an experiment that kinda worked, kinda not. The chaos of it can't be cleaned up, it's intrinsic to the concept.
It's not going to a template for lots of similar films. It's more of a one-off.
But anyway, that was several years ago, it stretches the meaning of "recent".
Well you either remove all the bureaucracy around drug testing and approval and make it cheap to develop a new drug, or you prevent drug makers from making money if they are successful at developing a new molecule. But if you do both, all you will get is zero research. Right now it takes 10s of billions in R&D budget to bring new molecules to the market, which is insane.
Or you pay them directly. Most countries have research funding. Since there's no way to know what you'll find or how long it will take, research doesn't fit well in the capitalist model. Makes much more sense to apply a fixed effort and accept whatever results come out, but only the government can do that — or a rich monopoly like Bell.
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