Hi, when you say you don't know which fingers to move do you mean within the context of a piece of music, or just the scales themselves? For the latter, I can give you some advice (though if you search something like "piano scale fingerings" on Google images, you can probably get some fairly standard fingerings for both hands).
Each diatonic (major, minor or modal) scale consists of 7 distinct notes, and the fingering is always 1-2-3 1-2-3-4 in one direction, and the reverse in the other direction, however, you need to find where this sequence starts within the scale. The more black keys there are in a scale, the fewer the possible comfortable positions. Always put your thumb on a white key, and prefer putting your 3rd and especially your 4th fingers on black keys, if possible. (Fun fact: for the major scales, once you have your right hand's fingering, you can imagine mirroring the keyboard and your hand around the D or G# key and you get another major scale with a good fingering for the left hand).
DO NOT start with C major if it's your first time learning scales. Maybe start with E major (4 sharps) as it is comfortable and you can use the mirrored fingering in the other hand.
I mean, Bartók is really not that random: polytonality, pentatonic and octatonic stuff, whole-tone scales etc. are all things you can practice and put into work in his music. (You can argue that Schönberg is even less random, cause serialism, but that probably doesn't help too much when playing the piano).
As a wildly amateur and unschooled musician Bartók simply looks wildly intimidating. Listen to him (again, as a wildly amateur and unschooled musician) doesn't make him make much more sense.
I wish I'd taken music more seriously when I was a kid (and had better neuroplasticity). I know I could still make decent progress with it, even at nearly 50, but I missed my opportunity to really cozy up to it deeply. (Instead I've got 6502 and 16-bit x86 assembler... Arguably not an even trade.)
"The past tempts us, the present confuses us, the future frightens us. And thus, our lives slip away moment by moment, lost in that vast, terrible in-between."
> Why would you be on HN if you weren't a programmer?
This isn't (exclusively) a forum for programmers (in fact, since it belongs to YC, maybe you'd expect businesspeople etc.) For example, I'm not a programmer, and I've never worked anywhere near the IT sector, yet I visit HN often. Also, if you look at the frontpage there are usually many topics not related to programming, or even tech in general.
Yes, I'm Hungarian, and I'm not even mad (pun intended) about "mad" matching "madzag". I find that we ourselves sometimes conflate characters and letters, so many people's first thought would be that "madzag" is six letters. I think most other digraphs e.g. "sz" or "gy" are considered more tightly bound, so one would be unlikely to say that "szám" (=number) is four letters rather than three.
Yes but it’s utter nonsense that you shouldn’t return it as a search result. There’s no “dz” key on a Hungarian keyboard, so you’d need to create that (or an alternative way to type it)… and on top of that it’s not consistent.
The easiest way is to imagine text being written vertically. In some cases, the digraphs (or trigraphs) will be written together on a single line, and sometimes they’ll be written on separate lines.
However, more consistently, if you imagine a person’s initials, Csanádi Dzsenifer is CsDzs.
I've been binging Branch Education the last week or so, and I concur that the videos are exceptionally well made. Some commenters noticed one or two mistakes in some of them, but nothing major.
I've encountered an old safe which required two keys to open, one of them turning the "wrong way" - perhaps it's an attempt to slow down a possible burglar by making it "surprising"?
Maybe a billion-dollar company has more money to spend on lawsuits than artists do? Doesn't make them the good guys, but I'm not surprised that it's them doing it.
Each diatonic (major, minor or modal) scale consists of 7 distinct notes, and the fingering is always 1-2-3 1-2-3-4 in one direction, and the reverse in the other direction, however, you need to find where this sequence starts within the scale. The more black keys there are in a scale, the fewer the possible comfortable positions. Always put your thumb on a white key, and prefer putting your 3rd and especially your 4th fingers on black keys, if possible. (Fun fact: for the major scales, once you have your right hand's fingering, you can imagine mirroring the keyboard and your hand around the D or G# key and you get another major scale with a good fingering for the left hand).
DO NOT start with C major if it's your first time learning scales. Maybe start with E major (4 sharps) as it is comfortable and you can use the mirrored fingering in the other hand.